While I was writing Chasing Fae, I wanted to make sure that the Upper Realm and Middle Realm felt like two completely separate places that operated in their own way and practiced their own traditions. Mortals and Fae, though technically two different branch of the same ancestry, have developed their own very separate cultures and economies over the past several hundred years of being apart. Today, I want to share a few details that did not make a specific appearance in the book, but were part of my worldbuilding experience.

The Upper Realm and the Middle Realm have economies that operate on the same currency: copper, silver, and gold coins. A copper buys a small loaf of bread, a silver is equal to 50 copper, and a gold piece is equal to 100 silver. I made sure the numbers were easily divisible in order to determine the value of certain items for moments where I needed that information to keep things consistent. (But to be fair, I can’t take credit for most of the economics; my boyfriend read my book in its early stages and completely overhauled the Realms economies to make things more realistic).

The currency is pretty much where the similarity stops. The Upper Realm has far more resources and therefore, more product available for sale. Their economy is much more diversified. Conversely, the Middle Realm has a very limited set of resources. In some areas, mortals prosper such as the salt mines and the iron and mechanics trades. In others, mainly crops and livestock, the economy is much more shaky. The Fae have proposed heavily skewed trade deals that were forced upon the mortal race centuries ago. Nothing has been modified since then.

One of the more significant cultural elements in both realms that I created that did not make it into the first book involved family and the progression from a child to an adult. In Fae society, when a child is born, the naming of a child is a very important task. The father and the mother traditionally remain sequestered away from their family with their baby for three days. This is a bonding period and an important time to discuss the baby’s name and potential for future endeavors. At the end of the three days, the family comes out before the community and does an ancient protection ritual invoking the name of the child. Then there is a large community feast to celebrate. There is no such ritual in the Middle Realm; birth is much more straight forward, almost clinical.

Parents in either realm tend to home-school or privately tutor their children. For early childhood, there are very few organized schools. Both educations start around age 7. In the Upper Realm, a Fae’s 7th birthday marks the beginning of their magical education. This is a significant rite of passage. Others include the 15th, 18th, and 24th birthday. The 15th is the eligibility for a higher magical education or an apprenticeship, the 18th marks adulthood, and the 24th marks the transition of noble Lord to noble High Lord for the oldest heir to the throne. In the Middle Realm, significant years are a child’s 14th, 16th, and 18th birthday. The 14th is legal to work full time, the 16th is age of maturity, and the 18th birthday is when you become responsible for your own money, house, and job. If adults choose to stay in their parents’ home, they become legally responsible for partial rent as this is universally calculated by how many adults are living in a house.

The little details were the most fun to brainstorm during the whole world-building process. Even if they never make it into the books, I feel like knowing they exist helps me to guide the story along. Maybe I’ll slip some more ideas like this into the later books, and maybe I won’t. But I hope to keep offering these tidbits to you as I continue my journey of being an author.

THIS ARTICLE CONTAINS SPOILERS.

One of the more important backstory elements in Chasing Fae is how the Upper Realm of the Fae and the Middle Realm of the mortals interact with one another. There is a lot of history of conflict between the two races that has led them to the tumultuous and uneasy state that exist as the book begins. I touch on this history briefly throughout the book, particularly towards the beginning when the reader is introduced to Lisden for the first time. Today, I want to share a little more of that story in depth with you.

The world was born of demons who formed the framework of the Lower Realm. Demons were the most powerful of the races, but their magic was uncontrollable. As time went on, a small faction of the demon race developed more control and more finesse over their powers. Those people would be the first Fae. After thousands of years, the Fae grew tired of the persecution and endless death that followed them wherever they went. A Fae elder, Master Annacht, designed a spell that would shatter the Lower Realm into two. Using his lifeforce, he managed to generate enough power to form what is now the Upper Realm and the Lower Realm.

In the formative years of the Upper Realm, however, a group of the next generation of Fae were born without magic. Originally it was believed that this affliction was some sort of curse enacted by the demon race as a punishment for fleeing the Lower Realm. At first, the problem was mostly ignored as there were so few Fae children with missing magic. But as those children became of age, they began mixing with Fae society. Suddenly, there was a whole race of half-Fae running around, and that was something that the general population just could not abide. A group of powerful mages intent on preserving magic gathered their powers and split off a smaller portion of the Upper Realm. The Fae without magic, now referred to as mortals, were sent to this Middle Realm to form their own society. The half-Fae were banished to the Lower Realm in hopes that they would die out.

It didn’t take long for the Fae to realize that the pieces of their realm that they had given to the mortals contained important resources that they had not considered in their haste to get rid of them, such as the salt mines and extremely fertile farmland. The noble family in power at the time set the precedent for hundreds of years to come by sending Fae officials to monitor the budding mortal society. Eventually, those observing officials would integrate directly into the mortal government as liaisons and diplomats to the Upper Realm. In the modern era, a handful of mortals were handpicked and paid off to report directly to the Fae on any budding legislation or economic developments. This would allow the Upper Realm to form trade deals with the Middle Realm that were heavily skewed for their benefit.

All of this history brings us to this moment. The Middle Realm has been ravaged and drained dry by the Fae. The people are hovering on the end of poverty, struggling to make a living and in some cases, to stay alive. The Fae have suppressed the people for so long that many have given up on seeing brighter days.

And that, my friends, is where Chasing Fae begins….

THIS ARTICLE MAY CONTAIN SPOILERS.

Grief is one of the most complex emotions a person can feel and possibly one of the most difficult to explain in words. Yet, I find that I gravitate towards young adult books that tackle this idea in different ways. Most significantly, I enjoy books that tackle the grief that comes after the loss of loved ones as well as the grief that comes with parents’ divorce. I have experienced both kinds of grief in my life, and I believe both have affected me significantly over the last few years.

My parents divorced in 2016 although the process was in the works mid-2015. This brought about a lot of changes and a lot of emotions that I had to deal with as I entered high school. It was a tumultuous time, and there were definitely feelings of loneliness as well as this strange overwhelming sense of responsibility that I felt the need to take on. During that time, I lost both of my great-grandparents. Pop died in 2016, and Grandma died almost exactly a year later in 2017.

I consider myself to have been very lucky to have had my great-grandparents in my life for as long as I did, through nearly my whole childhood. Both of them always enjoyed my stories and my writing; they believed that I would have the chance to be published someday. Because of school and AP exams, I was unable to attend both funerals. It was a long time before I was able to grieve properly, and there is still a ways to go. I hope to visit their graves sometime soon after the pandemic ends.

Chasing Fae tackles many of the feelings that came from my own experience of grief. I came up with the idea for this story during one of the lowest points of my life. The divorce was getting to me, bullying at school had increased, and the friend that I had considered like a brother to me abandoned me without so much as a word. I didn’t want to be angry or upset anymore, so I took that pain and pushed myself to create something beautiful from it.

In the book, Grace has a difficult time dealing with her brother’s death. She feels responsible not only for her mother and her depression, but also for avenging Leo. The entire book spans the emotional journey of Grace coming to terms with what she has lost and how to move forward from it. I really tried to touch on all of the unintended consequences and reactions that grief can cause.

I hope that readers who have experienced any kind of grief in their life will resonate with Grace. I hope that the process of grieving and eventual transformation is present and easily recognizable. Most of all, I hope Chasing Fae offers those individuals like me who had such a hard time figuring out what to do next some peace, some respite for a moment from the chaos they are feeling inside. A good book, especially a good fantasy book, should give the reader a wonderful place to lose themselves in and escape to. I hope Chasing Fae does just that.

It’s about how they journey through the worlds authors create.

I have always believed that fiction, particularly young adult fiction, is the most powerful form of literature. Having read countless titles over the course of my middle school and high school years, I have learned more about life and myself from fiction than any other singular experience.

The library at school was my second home. As soon as I was old enough that my teachers would let me go by myself, I was one of the library’s most frequent customers. I absolutely hated the two book limit imposed upon me in elementary school. I would go back as often as possible to keep switching out my choices. By the time I got to middle school and eventually into high school, I was taking out five to ten books at a time depending on how many could fit in my backpack.

My book of choice was always fiction, usually fantasy. But that fantasy came in all its guises: epic fantasy, dystopian fantasy, contemporary fantasy, fantasy with a side of romance, etc. I loved being swept away by the worlds that authors were creating right in front of my eyes and by the characters who were running through these worlds. They were a wonderful way to escape from a slow day in class and offer me the entertainment of a brand new adventure every time. I devoured fantasy novels like they were my mom’s mac and cheese. Every new release brought me a renewed sense of joy and wonder that just couldn’t be matched.

Fiction books taught me my most important life lessons. I learned what qualities I wanted most in my friends: loyalty, honesty, the willingness to follow me into battle against dragons. I even made a few fictional friends within the pages of Harry Potter and the Percy Jackson series. I felt validated by the contemporary young adult romances I read with the main characters’ struggles to fit in at their school or in their family. I learned to be more in touch with my own emotions. Of course, I learned the most from my beloved fantasy novels. They taught me that even though I’m not the biggest risk taker in the world, I wanted an adventurous life. I wanted to forge my own path and pick up close friends and even love along the way. Most importantly, I wanted to be the star of my own story.

I think that is what is so amazing about young adult fiction. The readers who love this genre have this amazing ability to see themselves in the world that they’re reading about. Sometimes they are the protagonist, sometimes they are the lovable best friend, and other times they just want to be themselves wandering through the world. Young people who love to read take so much out of literature, often more than the rest of the world. I mean, have any of you ever seen fans argue over which relationships are the best or which Hogwarts House is the best or how the last book in a series should resolve? (I know from experience; I have been an integral part of those discussions.) The best fiction writers know how to draw readers into the storyline and into the world they have created and then let them loose within it.

Over the course of this article series, I plan on diving deep inside my book, Chasing Fae, and the stories within it. You will get an intimate look at the writing process, the characters, the plot, and the universe itself. I hope that as you read my book and these companion articles, you will be drawn into the world as I have been while writing it. Come along for the ride!