How To Plan Out A Series

One of the most popular ways to write fantasy is through a series. Readers enjoy series because it offers them a chance to stick with the same characters over an extended period of time. They get to watch them evolve through a series of events and become very attached to their survival and happiness. Series keep us on edge every moment, waiting for the next book to come out or waiting for the final conclusion. If you’re thinking about writing a series of your own, here are a few tips to help you out.

Step One: Map Out Your Plot

One of the most important things about writing a great series is making sure that your story can be carried over several books. Now if you’re just starting out with an idea, it can seem like a lot to think about right off the bat. But if you’re looking to plan a series, I imagine you have at least some basic idea of what major events happen when. Use those to understand whether you’ve got enough story.

Think about how many books you want to write. There’s no magic number (although three is quite popular); each story idea is unique. Remember, each book needs to have its own plot arc: a clear purpose that is worked towards over the course of the novel definitively fulfilled at the end. Then on top of that, each book needs to contribute to the overall series arc. The series arc itself also has its own purpose that must be worked towards at each stage. If you can see all of these main elements, congratulations! Your idea has enough substance to write a series.

Step Two: Get To Know Your Characters

I talk all the time about getting to know your characters on an intimate level. I’ve suggested creating character profiles and conducting an in depth interview with your character. When writing a series, this is especially crucial.

Over the course of your books, you’re going to be playing around with multiple important characters and multiple big character arcs. Outside of your main character, several secondary characters are going to have significant arcs that will influence the story. In each book, your main character will go through a change. You have to clearly see that change each time you pick up the next book and introduce a new change that will begin to play out. Your secondary characters will evolve over the course of the series, and each book doesn’t have to have a specific change for them.

In order to accomplish this, you need to absorb your characters’ personalities, motivations, and goals. You need to know them better than you know yourself. Using the tools I’ve linked above will assist you.

Step Three: Consider your world.

Your worldbuilding will need to be detailed enough for your readers to learn new places and new details each time they pick up an installment. Think about the Harry Potter universe and how expansive it is, how J.K. Rowling introduced us to new places and magical aspects every time we picked up one of her books. Take the time to ask questions about your world and dive deep into everything from geography down to individual family life. Your magic system will also need to be built to last as it will be a crucial backbone as your characters move throughout your fantastical universe. Dream as big as you want.

Are you ready to start? Happy writing!

Creating Subplots

A great fantasy story must always incorporate more than just a main plotline. Smaller stories and adventures should be included to give more insight into the characters and build up to the climax of the main story. Subplots tend to show progress and growth in a character without necessarily being part of their main journey or goal. These subplots can focus on the main character and their secondary goals or a secondary character and their own storyline. All subplots should relate back to the main plot and intersect the story in some way. That could mean relating back to the main themes or showing progress in the characters that are essential to the main journey.

Types of Subplots

There is a wide variety of subplots to choose from when looking at your own novel. Here are a few useful ones to recognize:

  • One of the most common and most recognizable subplots are romantic subplots. The main character falls in love with a secondary character who in turn reveals a lot of intimate information about the former character’s motivations, dreams, and personality traits. Romantic subplots are often the easiest to incorporate into most genres; with fantasy, they tend to walk hand in hand.
  • Another solid subplot idea for fantasy is something brewing in the political world. My own book explores this in the way of political tension, subverting alliances, and the constant presence of impending war. This subplot is often a great way to bring in detailed worldbuilding and historical background into your story.
  • It is always a great idea to show conflict between main and secondary characters. This can include a conflict with a villain that perhaps exists on the fringes of your main plot or an argument with a friend or lover that changes the main character’s course. These subplots add depth to your characters and often can have a transformative effect on a character’s psyche.
  • Anything that showcases a character’s strengths, flaws, and motivations can be incorporated into the story as a subplot. You’re not limited to the types of ideas I’ve listed above.

A Tip On Identifying and Incorporating Subplots

When I finished the first draft of Chasing Fae, one of things I did was take several sheets of paper and draw out several large arcs. I then went through my book and labeled each event of the main plot on one arc. On the next few, I took some time to pick out the events in my novel that didn’t connect directly to the main storyline. Those, I then was able to sort and begin to create some subplot arcs. Wherever I saw gaps, I made notes on what to write to fill them in to make my subplots complete. The final arc I used to create a character arc so I could definitively see how Grace changed and grew over the course of the entire novel. If there wasn’t a logical jump between one point and another, I created a new event to add in my second draft and create a new subplot off of that.

I would highly recommend this method if you’re having trouble identifying what kind of subplots you want to incorporate or what subplots you already have brewing. It also serves as a great tool to break your story down and really gain a deep understanding of your characters and your plot.

I hope this has been helpful. Happy writing!

Going Back to the Beginning: A Lesson in Revisions

Hey everybody! On Monday, I finished up my last exam and my last paper, and I am officially finished with my freshman year! I can’t believe this year has gone by so fast. It feels like just a few weeks ago, I was moving into my freshman dorm, and now I’m trying to move out! I swear moving in was a lot easier.

My thoughts are a little jumbled right now due to me being a little under the weather. But I wanted to make sure I put out something solid for you all to read. So, I want to talk a little more in detail about the work I’ve been doing over the last couple weeks on the novel.

Revisions

At the advice of a very handy revision guide (linked here for reference; I will most likely do an article on this later), I decided to break down my novel into chapter summaries. Basically for each chapter, I made notes about which characters were featured, where the scene takes place, and the important plot points. This serves as a really great tool to understand everything that is going on in the book without rereading the whole thing every time you want to make changes. Note: You should still frequently read the whole book when you do make changes; but right off the bat, I’ve found this to be a good first step.

After this, the revision guide provided me with a multitude of questions to identify the main structural edits that my book desperately needs. I really loved working through them. They gave me the best information I needed to identify what needed to be done. Sometimes it’s very hard to formulate these questions on my own without any direction. With these, I made a list of about 25 major/moderate structural changes that needed to be made.

25 seems like a lot to me. The guide recommended listing 20 for your first pass, but I’ve never been able to do anything with limitations xD. Now, once the list is made, the guide recommends to go ahead and start revising. But… I felt like I really wasn’t prepared to do that yet. Two of my biggest fixes were as follows: make character development bigger and much clearer and incorporate more worldbuilding throughout. I didn’t feel like I had all the tools necessary to revise in the best way.

So I went all the way back to the beginning. Back to my ten months worth of research and notes from before I wrote this novel in November. I hadn’t visited them in great detail in a decent amount of time, so it was long overdue. I worked with the character interview questionnaire alongside my character profiles so I could work with both my basic original ideas and have inspiration to build off of them.

I focused on Grace and Aiden for now as they are the most prevalent in the novel. I plan on working with other characters as I revise as they pop up in the story. Grace has become a fuller character: retaining her stubborn and passionate nature while mixing in a few more character flaws, fears, and somewhat of a softer heart underneath. Aiden has completely reverted back to my original intention for the character that did not come across at all in the current draft. He plays a little more fast and loose and is driven by a strong desire for adventure. His regrets in his life will hopefully come more into play as well as he develops.

What Happens Now?

Now that I’m finished with character development for the time being, I plan on working a bit with each of the locations. As much as I talk about worldbuilding, I need to revisit mine and create more descriptive details that can be readily incorporated when I need them. Especially in the Middle Realm: that area has not been as planned out as I would like.

So because of all this, my timeline has shifted significantly. I plan on spending the entire summer in revisions. A second beta read will be pushed to either late July or August, depending on how efficiently I revise once I’m ready. I won’t be querying until potentially September or October. As much as I am a little disappointed that I wasn’t able to start looking for literary agents this summer, it is more important that the book is in its best possible condition before being judged. I believe it will make the process go quicker at the end of the day. I want my novel to be strong. So I will put in the time.

Character Development Exercise

Hello everybody! Hope everyone is doing well this week. I’m gearing up for the end of my freshman year, running headfirst into three written exams, two final papers, one final presentation (which luckily is already out of the way as of yesterday), and one final performance for my theater class. Wish me luck. I’m definitely going to need it.

Today, I want to talk about character development. I wrote a previous post a couple months ago about creating character profiles (linked here), and I still believe in the effectiveness of this into getting to know a lot about your characters. However, I want to introduce a new exercise that I have found to be even more effective.

This past week, I’ve been focused on fleshing out character development. In my novel, I had relatively strong characters, but their development was choppy and disjointed. More needed to be seen from them in order to make the story feel whole. After a lot of thought, I revisited working on my characters individually.

The Exercise

I discovered this tool while searching for character development exercises online. After working through the questions for a few days, I can speak for its effectiveness.

This link leads to a blog post from 2010 by the creator of the blog, Labotomy of a Writer, Anastasia V. Pergakis. It contains an incredibly detailed character questionnaire that reads like an interview. Working through these questions allows you to answer questions in your character’s voice and allow your character to take full shape.

I have learned more about my main character in the last few days than I could have imagined. I have found three new stories of her past to explore in various places in the book, stories that blend in seamlessly. Suddenly, my fingers would be on autopilot, pulling new ideas out of thin air. I feel like a new writer again.

I highly recommend giving this post a look. I feel like it gets deep into both a character’s personality and their motivations and goals, which as we know is very important to the progression of your story. Happy writing!