Tag: Subplots

Writing Endings

Alright, it’s time for me to get back to writing about fantasy writing! One of the most important elements of a novel that you have to nail is your ending. Your beginning pulls readers in, and your plot and your characters keep the reader engaged for the subsequent book. But your ending has got to bring everything home. A bad ending on a great book will leave a sour taste in the reader’s mouth. Trust me, I’ve been there. Even if you love the book, there’s something about a poor ending that can erase part of that happiness.

So, the ending is pretty important. Today, I want to talk about what it means to finish a book well and a few tips that I’ve picked up while writing Chasing Fae.

Finish Your Plot.

This seems like it should be obvious, but it warrants saying anyway for several reasons. Your ending has to wrap up the main storyline. You have to finish the main plot arc of the book regardless of whether you are continuing on the storyline in a sequel. A definitive end must be visible for your reader, or you may leave them wanting. You should also consider your subplots. If it’s a standalone story, everything must end. If you plan on having a sequel or several sequels, then in my personal opinion, subplots should come to a natural stopping place. It doesn’t have to be a positive place; for example, you can end a relationship in a tumultuous position. But I think that it’s important for readers to feel like there’s a clear pause.

Make sure your ending makes sense.

Your ending should feel natural. It’s perfectly acceptable to wrap up the main plot and then have a scene or two afterwards that allows the characters to simmer down to normalcy or the new normal after the climax. Let’s see the aftermath of the character’s decisions over the course of the book. What has to change in order for the world around them to stabilize? Does the world stabilize, or is this the beginning of a new conflict? If your main character’s world calms down, write about how they feel now that the adventure is over. Who is in their life now to stay? Who has disappeared? If your ending is going to lead into a new conflict in a subsequent book, your readers want to see the inklings of that rising. Offer some hints into what is to come, even super vague ones. One of my favorite books of all time, A Court of Thorns and Roses by Sarah J. Maas, has an amazing ending that was a little strange and intriguing reading it the first time. And then when you read the second book, about midway through, I suddenly went “OH! EVERYTHING MAKES SENSE NOW! THIS IS AMAZING!” *subsequent reader screaming*. Experiment with your ending. Write it a few different ways and see what you like best. Get other writers’ or readers’ opinions.

Show Your Protagonist In All Their Glory.

Your ending does not have to showcase a triumphant moment. Your protagonist could be suffering after a horrible loss. The most important role of your ending is to show how your main character has grown internally over the course of the novel. Whether you are depicting victory and resolution or defeat and the construction of a new plan, your character’s emotions will show up on the page. In a victory situation, you will see happiness or you may see them step into a new role in their lives. There may be an aura of calm about them that is totally different from what the reader has seen over the course of the novel. In a defeat situation, there’s a lot of anger and sadness and fear, and you have a real opportunity to lay out your character’s innermost thoughts. You can attest to their stubbornness and their determination and as a writer, strongly convey that pivotal decision to get up and try again in the next book. I personally love both kinds of endings, but especially the latter. You want to know if the protagonist will get what they deserve out of life. As a reader, I crave it; I absolutely have to know. And that’s what keeps me reading and keeps me buying the next book in a series.

Happy writing, everyone.

Creating Subplots

A great fantasy story must always incorporate more than just a main plotline. Smaller stories and adventures should be included to give more insight into the characters and build up to the climax of the main story. Subplots tend to show progress and growth in a character without necessarily being part of their main journey or goal. These subplots can focus on the main character and their secondary goals or a secondary character and their own storyline. All subplots should relate back to the main plot and intersect the story in some way. That could mean relating back to the main themes or showing progress in the characters that are essential to the main journey.

Types of Subplots

There is a wide variety of subplots to choose from when looking at your own novel. Here are a few useful ones to recognize:

  • One of the most common and most recognizable subplots are romantic subplots. The main character falls in love with a secondary character who in turn reveals a lot of intimate information about the former character’s motivations, dreams, and personality traits. Romantic subplots are often the easiest to incorporate into most genres; with fantasy, they tend to walk hand in hand.
  • Another solid subplot idea for fantasy is something brewing in the political world. My own book explores this in the way of political tension, subverting alliances, and the constant presence of impending war. This subplot is often a great way to bring in detailed worldbuilding and historical background into your story.
  • It is always a great idea to show conflict between main and secondary characters. This can include a conflict with a villain that perhaps exists on the fringes of your main plot or an argument with a friend or lover that changes the main character’s course. These subplots add depth to your characters and often can have a transformative effect on a character’s psyche.
  • Anything that showcases a character’s strengths, flaws, and motivations can be incorporated into the story as a subplot. You’re not limited to the types of ideas I’ve listed above.

A Tip On Identifying and Incorporating Subplots

When I finished the first draft of Chasing Fae, one of things I did was take several sheets of paper and draw out several large arcs. I then went through my book and labeled each event of the main plot on one arc. On the next few, I took some time to pick out the events in my novel that didn’t connect directly to the main storyline. Those, I then was able to sort and begin to create some subplot arcs. Wherever I saw gaps, I made notes on what to write to fill them in to make my subplots complete. The final arc I used to create a character arc so I could definitively see how Grace changed and grew over the course of the entire novel. If there wasn’t a logical jump between one point and another, I created a new event to add in my second draft and create a new subplot off of that.

I would highly recommend this method if you’re having trouble identifying what kind of subplots you want to incorporate or what subplots you already have brewing. It also serves as a great tool to break your story down and really gain a deep understanding of your characters and your plot.

I hope this has been helpful. Happy writing!