How To Create A Good Pitch

Hey everybody! I hope everyone’s been having a wonderful week of writing. I’ve been working on my history book nonstop for the last week, and I’m making some great progress. I’m seeing chapters start to take form, and I’m liking how it sounds so far. Writing nonfiction is such a different process than writing fiction; there is SO much research that is involved. It’s a more focused style of writing. I want to make sure the text is informative and engaging at the same time. Progress is being made!

Today, I want to talk about how to create a good pitch that will get agents to listen to you. Query letters won’t always be your sole means of communication to literary agents. At some point in your writing career, you may have the opportunity to speak to a literary agent face to face and make your case about your book verbally. Now if you’re an introvert like me, that might make you panic. But don’t worry, this article’s going to give you some pointers about how to write a good pitch and execute it well.

Writing A Good Pitch

Luckily, the first step creating a good pitch involves writing! We’re writers! That’s what we’re supposed to be good at, right? Let’s use that to get us started on the right foot.

Your pitch has got to be concise, but informative. When you’ve got the attention of an agent for such a short period of time such as during a writing conference or in an elevator. Hence the name ‘elevator pitches’. As an author, you have to be able to sell your book in the first sentence. What is the heart of your story? Find the most compelling piece that makes your book unique and sum it up in about twenty words or less. For me, it’s a young mortal woman taking on the Fae world and its dangers to find answers about her brother’s death. 19 words, and I’ve shared my main character, her motivations, and the reason that readers should keep turning the page. Agents are in the business of selling books. Convince them you can motivate readers.

Once you’ve hooked them, then you can get into some of the details. Give a few sentences about your book. Elaborate on the motivations, the events, the intrigue. Don’t forget to mention the world a little bit. But keep it snappy. Let the agent decide if they want to hear more from you. Don’t forget to mention your target audience.

I would suggest writing your pitch down so that you can refer back to it whenever you need to.

Practicing Your Pitch

Pitching to agents requires a certain amount of preparedness. I’m not the most confident person in the world, but with enough practice, I was able to pitch to a literary agent and wow her enough for her to request a submission from me. Here are my best tips to prepare:

Practice, practice, practice: If you do not know this pitch backwards and forwards before you step into that room, you are not going to get anywhere no matter how well you think you know your story. Agents can tell when you’re putting something together on the fly. That’s not to say that you have to be a rigid script reader. Instead, you want to know your pitch well enough to start with it and then add a little more finesse as the meeting goes on. You’ll know if you get nervous, you can always revert back to the structure you already have in place. Remember, keep it concise.

Act the part: If you’re having face to face time with an agent, nine times out of ten, it’s going to be a pre-planned affair. So act like it. Business casual will show that you are serious about what you are putting forward without coming across as too formal. Walk with confidence. Stand tall, but don’t let it feel forced. Speak with authority, but not with forcefulness. Make sure your volume is at the right level. One of the things I learned in high school as an actress is that if you act confident, you will feel confident. Again, this will all come with practice. Watch yourself practice your pitch in a mirror. Take note of how you look and sound. It might feel silly at first, but trust me, it helps.

Be prepared to answer questions… and be prepared to ask them: Knowing your own book well enough to answer questions an agent throws your way should be expected. But something that I did not expect during my first conference was the agent to ask me if I had any questions. I had only one question in mind prepared, and we still had nearly five minutes to go in our session after that. Now, I think my age may have garnered me some sympathy in that department, but young people, don’t make the same mistake that I did. Have several questions prepared, more than you think you will need. Better to have more than you have time for than to sit in awkward silence.

Now I know this is a lot of information to take in, and it can feel a little daunting. Especially if you’re an introverted writer. But I promise you, you have the ability to make it happen. I believe in you!

I’d love to hear your pitches! Comment your pitches below, and I would love to help you out and maybe even offer some pointers. Happy writing, everybody!

Chesapeake Writing Workshop: A Day to Remember

Credits for this image to Booking.com (https://www.booking.com/hotel/us/crystal-gateway-marriott.html).

Yesterday, I attended the Chesapeake Writing Workshop in Arlington, VA. This was my very first writing conference, and it was such a whirlwind! I had the opportunity to interact with other writers in the area, get some feedback on my first ten pages, and pitch my book to a literary agent for the first time. I’ve got a lot to tell you about, so let me get started right away.

Arrival

I actually missed the first train to Crystal City.

I was in the Foggy Bottom metro station waiting for the blue line train to come at 8:36 am. An orange line train was stuck on the track because of a holdup at the next station over. I was getting nervous because I wanted to get to the hotel with enough time to check in and get oriented. Then, out of the corner of my eye, I watch a blue line train pull into the opposite track. Turns out, I had been looking at the wrong side.

Typical of me to get turned around, to be honest.

The doors closed before I could hop on, so I had to wait for the 8:48 am train. Luckily, I made it to the Crystal Gateway Marriott in plenty of time. I got my nametag and a folder with a copy of the day’s schedule before setting off to the first talk I wanted to see.

The first lecture I attended was about middle grade and young adult books. It was there that I truly understood how versatile the YA genre truly is; people from mid elementary age all the way up to adulthood read young adult novels. You have the ability to cater to a wide audience with YA that I think is very genre-unique. I only got to stay in about twenty minutes though because at 10 am, it was time for my 10 page critique.

Ten Page Critique

I wasn’t sure what to expect going into my critique. I wanted to keep my expectations reasonable, but I also wanted to believe that I was ready for querying. In my heart, I was ready. But was the book ready?

I met with Moe Shalabi, a Palestinian-American author and former junior literary agent at Talcott Notch Literary. As soon as I sat down, the first words out of his mouth were how he loved the story, loved the characters, and needed to know more. I have to say, I was floored. I just filled up with excitement, wanting to hear more of what he had to say. His evaluation of my work was incredibly helpful. He pointed out some details to elaborate on: ways to bring the world to life more, a few points about fleshing out the characters sooner, and some points about verb tense in flashbacks. He also said something to me that I will never forget, something that’s going to stick with me for a long time.

He told me that I had a natural talent for writing.

In that moment, I felt like I was on the right path in my life. This was the idea, this was the story, this was the one that was going to get me where I’d always wanted to be ever since I was 11 writing my first novel.

Published.

It was such an honor to hear that, and I’m quite humbled by it. I couldn’t wait to get home and make those edits. I knew they were going to make my work stronger.

My First Pitch

Of course, then I had to turn around and pitch half an hour later! I spent about ten minutes riding out the high of my critique before I buckled down and drilled my pitch out loud several times. I wanted to make sure I could deliver my summary confidently and clearly.

At 10:50 am, I walked over to Stephanie Kehr, a junior agent for C.Y.L.E Literary. She was my one and only pitch for the day. I liked what I had read about her, and I was hoping that I could make a good impression. After introducing myself, I sat down and launched directly into my pitch. For the first time, I delivered something verbal clearly and concisely with no waver on my voice and without my face turning bright red. It went off without a hitch.

She asked me if I happened to have a sample chapter with me. Although the conference had said you shouldn’t need to hand over anything to the agent you’re pitching to, I had thought ahead. I had seen on Stephanie’s website that for in person pitches, she liked to see a sample chapter, so I had one on hand. She glanced over the first page and told me it seemed like good writing. She handed me her business card and asked me to submit materials to her: my first three chapters, a synopsis, and platform numbers.

I was ecstatic. Especially because she’s currently closed to submissions. To make it over that hurdle means the world to me even if that’s where my book stops with her.

Somehow after all that, I still had almost five minutes left in my ten minute pitch time. I felt incredibly awkward, so I tried to start up a conversation. She gave me some good advice for debut writers and young writers in particular, and we talked briefly about YA as a genre and its versatility. I thanked her for her time and walked out of that room beaming.

Afternoon Lecture: Author Platform

After lunch and a sit-in on a live agent critique of authors’ first pages (never got to mine), I went to my favorite lecture of the day on building an author platform. This is probably my favorite subject, and as most of you know, I’ve been doing a lot of work on building that up over the last six months. But I really wanted to know what more I could be doing to improve my visibility.

A couple takeaways for me:

  • I really need to start working on an email newsletter. I’ve attempted to start one a few times, but due to international spam law (that’s a thing!), I have to leave a mailing address at the bottom of the newsletter. Now that I’ve had more time to think about it, I probably could use my mailbox at my college. That would be a physical mailing address I have access to, but if something malicious were to occur, I can’t be tracked to my dorm room or my home address. I need to look more into that.
  • I want to do more guest posts for others. Preferably fantasy leaning or writing blogs that would help boost traffic onto my website. I think I’m doing a fairly good job of writing about fantasy writing, so why not share it with more people?

Aftermath

After the conference, I worked into the late evening on editing my first ten pages according to my critique. I pulled all of my query materials together, and last night, I sent out the first batch of query submissions: the six that I originally selected plus Stephanie Kehr from the conference. I had a little send off call with my mom, sister, and boyfriend where I sent off the emails/online forms with them on the call with me. My dad was unfortunately traveling, so he didn’t get to join me. Next time though for sure! I’ve forbid him from traveling during the next submission round xD.

Now comes the waiting game.

How long will that be?!

Note: I want to especially thank my father for paying my way for this conference. It was an invaluable experience that I will never forget. I made steps in my writing career today because of him, and I just want to say thank you.